Scott Good
Composer - Conductor - Concert Designer
For Orchestral Conductors, Music Directors and concert programmers
Works list for orchestra
This webpage includes feature works for orchestra, with full recordings and scores, short descriptions for thematic programming, and technical/rehearsal needs and considerations. Each work is linked to a page with more detail.
Le Baiser – 18:00
(2*222 / 4231 / tmp / 2perc / pno / hrp / strings)
Evening - 6:00
(*3*3*3*3 / 4331 / 3perc / tmp / hrp / pno / strings)
Resonance Unfolding 2: Homage to Olivier Messiaen - 12:00
(*22**4*2 / 2221 / 3perc / cel / pno / 66442 / amplification)
What the Chickpea Said to the Cook - 6:00
(*22*22 / 4231 / 2perc / hrp / strings)
Lasker-Schuller Songs- 20:00
(solo Soprano/ 2222 / 4231 / tmp / 2perc / hrp / strings)
Between the Rooms - Concerto for Trumpet and Orchestra - 25:00
(solo Trumpet / 2222 / 4231 / tmp / 2-4perc / hrp / strings)
Anguished Grief - 14:30
(solo Violin / strings 43221)
Babbitt – Concerto for Saxophone(s) and Orchestra – 26:00
(solo Saxophone (SATB)/ *2*2*2*2 / 2221 / tmp / perc / pno / hrp / strings)
The Sleepers - 1:15:00
Text by Walt Whitman
(solo Baritone, choir (*2222 / 221 / perc / tmp / hrp / strings)
The Caboose Who Got Loose - 26:00
Children’s story and images by Bill Peet
(Narrator, solo Cello /*2*222 / 4231 / perc / tmp / hrp / strings) + slides / soundfiles)
The Hands of Orlac - 1:55:00
Score for the 1928 silent film directed by Robert Wein, on a story by Maurice Renard.
(solo Soprano, solo Piano /*2*2*22 / 4231 / perc / tmp / hrp / strings) + amplification
Collaborations and Concert Design
Tiferet - 40min without pause
A conversation between the music of Ernest Bloch and Aviva Chernick
Aviva (vocals) + (12*2*1 / 111 / tmp / perc / hrp / strings)
Winter Seasonal Concert with the Laila Biali Quartet - concert - 2hrs
New arrangements of Biali's original songs, and Christmastime favorites.
Choir + (0000 / 211 / hrp / strings)
In Remembrance - Remembrance Day concert – 60min
Feature: Singer/guitarist soloist, Harmony singer, Soprano, Bag Piper, 2 poets
(1111/111/perc/pno/strings)
Works - No Soloist
Le Baiser - 18:30 - Listen - Score
(2*222 / 4231 / tmp / 2perc / pno / hrp / strings)
"I was kissed by so great a lover, he, who will never be separated from me, kissed my mouth, all trembling.”
– from Dante’s The Inferno.
Inspired by Rodin’s masterpiece, Le Baiser (The Kiss) depicts adulterous lovers Francesca di Rimini and Paulo Malatesta, who would be killed for their infidelity, and spend eternity in hell, as depicted in Dante’s Inferno.
Lush and melodic, with extended tonality, this music depicts a journey through loneliness, seduction, lust, and betrayal. Numerous solos follow – bassoon, oboe, trumpet, violin, and cello. For best sound, it should have a minimum strings 98664, but can be compensated with fewer.
Evening - 6:00 - Listen - Score
(*3*3*3*3 / 4331 / 3perc / tmp / hrp / pno / strings)
Reduced version
(*2*2*22/4231/2perc/hrp/strings)
Inspired by the painting Evening, North Shore, Lake Superior by Franklin Carmichael, this sparse, intimate music is created to invite contemplation – to view the vast majesty of life and growth, set against it's fragility, and cycle of decay and death, captured so perfectly in this painting.
The music is moody and delicate. Abstract, but rich. It is demanding in tone and tuning, but not speed. Prominently Features the Cor Anglais.
Resonance Unfolding 2: Homage à Olivier Messiaen - 12:00
Listen - Score
(*22**4*2 / 2221 / 3perc / cel / pno / 66442 / amplification)
A Modernist work utilizing spectral technique, and overtone tuning to shape the materials.
Intense, frenetic, and colourful – it sparkles and surges. The music is inspired by the final chords of Messiaen's epic work for organ, Diu Pami Nous.
Requires amplification, and live sound processing.
Complex to put together, often aleatoric, but not overly demanding on each part - does require ¼ tone tuning for most players, and a sensitivity to modern composition technique.
Funded by a Chalmer’s Artistic Development grant to explore theoretical ideas in composition.
What the Chickpea Said to the Cook - 7:00 - Listen - Score
(*22*22 / 4231 / 2perc / hrp / strings)
“My animal soul grew powerful.
I controlled it with practices,
and boiled some more, and boiled”
- Jalāl al-Dīn Muḥammad Rūmī
Inspired by the poem Chickpea to Cook by Rumi, as translated by Coleman Barks.
An energetic orchestra feature – sparkling and virtuosi.
Tonal and romantic in style with minimalist flavour. Some unusual twists and turns, including use of high hat. Challenging metric and tempo demands. To do at written metronome speed requires some attention.
With soloist(s)
Lasker-Schuller Songs - 20:00
Listen
(solo soprano / 2*2*22 / 4231 / tmp / 2 perc / hrp / strings)
Between the Rooms - Concerto for Trumpet and Orchestra - 25:00
(solo trumpet / 2222 / 4231 / tmp / 2-4perc / hrp / strings)
“And so, as Kinsmen, met a Night—We talked between the Rooms—Until the Moss had reached our lips—And covered up—Our names—” – Emily Dickenson.
A major work for trumpet in the grand concerto style in three movements. The inner movement is inspired by the poem I Died for Beauty by Emily Dickenson, as was suggested by the soloist Larry Larson.
Significant orchestral music, with some metric challenges. Emotional, and romantic, with fire and bravado in the outer movements. The solo trumpet part is quite demanding. It is recommended that Adam Zinatelli perform as soloist.
Anguished Grief - 14:30 - Listen
(solo violin / strings 43221)
“Et si ne puis ne garir ne morir”
And from these I can neither be healed nor die. - de Pizan
Inspired by the poem of Christine de Pizan (14th c) grieving after the death of her husband. Originally a work for soprano and string quartet, this is a re-imaging, inspired by Part's Fratres and Byrd's Lachrymose, features elaborate ornamnentation for the soloist around the original theme.
Lyric and mournful in a mock baroque style, with both modern and ancient accents. Accessible and has moments of virtuosity and power for the violin and ensemble for an enriching emotional experience.
Moderate challenge for the soloist. I recommend Bénédicte Lauzière as soloist.
Babbitt – Concerto for Saxophone(s) and Orchestra - 26:00
Listen - Score
(solo saxophone (SATB)/ *2*2*2*2 / 2221 / tmp / perc / pno / hrp / strings)
Inspired by the novel of Sinclair Lewis which tells the story of a middle-aged real estate agent going through a mid life crisis. It is also a humorous and cynical commentary on the inequities of the time, and the power of social conformity.
Perhaps the most challenging concerto for saxophone put to paper for the soloist! Requires playing of all 4 primary saxophones. This was composed for the virtuosi saxophonist Wallace Halladay, and he is recommended for future performances.
Wild, post-modern, quirky with both lush romantic and abstract modern sounds.
Challenging for the entire orchestra – prominent drum set part with swing feel at times.
Choral
The Sleepers - 1:15:00 - Listen
Text by Walt Whitman
(solo baritone, choir (*2222 / 221 / perc / tmp / hrp / strings)
“I wander all night in my vision, Stepping with light feet, swiftly and noiselessly stepping and stopping, Bending with open eyes over the shut eyes of sleepers.” – Whitman
Epic poem by Walt Whitman, musically structured in the form of oratorio.
The subject is global unity through what unites all – we all sleep – we all die – we all have a soul - we are all beautiful. Whitman explores these ideas through 8 sections using narrative and philosophy, bound with his unique poetic sensitivity, and formal direction.
Perhaps the most bountiful of his poems to summarize his cannon in a single work.
Major work for the choir.
It is moderately challenging for the orchestra, with many solos and instrumental tuttis. The music is lush and tonal, with some dissonance, but throughout accessible, and composed idiomatically so it can be put together quickly and musically.
The baritone solo is expansive, requiring a wide range of skills – delicacy, intimacy, power, drama.
Children - Family
The Caboose Who Got Loose - Listen/Watch - Score
26:00 - Story and images by Bill Peet
(Narrator, solo Cello /*2*222 / 4231 / perc / tmp / hrp / strings) + slides / soundfiles)
“When Katy Caboose rambled down the train tracks,
The Engines were steamers with puffing smokestacks,
She was a caboose who disliked being last
With an endless black cloud of smoke rolling past.”
A narration of the endearing story for children by beloved author and illustrator Bill Peet (One Hundred and One Dalmatians, The Sword in the Stone), and an engaging concert for all ages.
Challenging, but playable in 1 rehearsal + dress including another shorter work – an ideal choice was made by the creative team at the Calgary Philharmonic at the premiere, with conductor Karl Hirzer – Britten’s Young Person’s Guide to the Orchestra.
All orchestra sections are featured throughout – designed as an engaging showpiece to thrill. An ideal choice for a family concert. Young audiences will attach to Katy’s story, and all can enjoy the orchestra, narrator, and soloist performing a dynamic and emotional score.
Silent Film
The Hands of Orlac - 1:55:00 - Listen/Watch
Trailer
Score for silent film directed by Robert Wein, on a story by Maurice Renard.
(solo Soprano, solo Piano /*2*2*22 / 4231 / perc / tmp / hrp / strings) + amplification
A macabre thriller/romance from the golden age of silent film, concert pianist Orlac loses his hands in an accident, only to be replaced with those of an executed murderer! A twisted tale ensures with captivating acting by Conrad Veidt and Alexandra Sorina.
I was interested in writing a score for silent film and was drawn to horror as it would allow me to create a more modern and abstract score – colourful and dynamic, with lots of dissonance! This movie seemed the perfect choice, due to the profession of the protagonist, and has a perfect blend of creepiness' and romance to provide a platform for a dynamic score.
Moderately challenging for the orchestra, performed to a click track (conductor, soloists, harp, percussion 1 on click is suggested). Can be put together in 2 rehearsals + dress, but 3 would be more secure. The solo pianist requires a concert grand + an upright which is prepared and amplified. It is important to note the solo piano part is both improvised and composed, requiring special skills.
It is recommended to enlist pianist Greg Oh and soprano Stacie Dunlop.
The music moves between Romantic/lush, and modern/abstract. It is an ideal choice for a Halloween concert, or even Valentine’s Day. PG rating – a bit creepy, but quite tame by modern standards.
Collaborations and Concert Design
Tiferet - 40min without pause - Watch (excerpts)
A conversation between the music of Ernest Bloch and Aviva Chernick
Chernick Trio + (12*2*1 / 111 / tmp / perc / hrp / strings)
She calls out.
From the depths, she calls out
– Hear my Voice
Including music, story, and poetry Tiferet, explores Jewish composition and spirituality. The word Tiferet is complex in nature, but stands as a foundational principal regarding beauty, and glory, and inspires the arc of the program. This program is designed as a first half of a symphony program. Other works (traditional and original) are available for a full length concert featuring Aviva Chernick.
Program:
Chernick – Eili, Min Hamietzar, Hashievenu, Zeh Heyon
Bloch – Concerto Grosso #1 – mvt 1, Suite Modale – mvt 1, From a Jewish Life – Prayer, Renouveau, from 3 Evocations.
In Remembrance - (1hr concert)
Feature: Singer/guitarist soloist, Harmony singer, Soprano, Bag Piper, 2 poets
(1111/111/perc/pno/strings)
A powerful presentation featuring music of many traditions. Music and poetry are continuous throughout, without pause - it only a part of Appalachian Spring.
I was stirred to find the perfect music and poetry for this solemn occasion. I wanted for everyone to feel a part of the experience - connected. I hope to respect the tradition and the soldiers sacrifice, but also allow for some questioning of that sacrifice so beautifully put in Mark Knopfler's rock ballad Brother's in Arms.
The Soprano only sings in the Gorecki. The lead voice-guitar sings 3 songs (Lynn, Bogle, Straits)
Program:
Part – Spiegel im Spiegel
Vera Lynn – We’ll Meet Again
Eric Bogel – And the Band Played Waltzing Matilda
Traditional - Flowers of the Forest
Henrik Gorecki – 2nd Movement, Symphony of Sorrowful Songs
Dire Straits – Brothers in Arms
Aaron Copland – Appalachian Spring
Traditional - The Last Post
